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Prayer wheel

Part of the collection: Asian art

Popularization note

The practice of Tibetan Buddhism is characterized by prayer wheels, which in the language of this region are called mani korlo. On the cylindrical surface they have mantra words written on them. The most commonly used formula is "Om mani padme hum" (praise to the jewel in the lotus). It is a six-syllable mantra to Avalokiteshvara (Tib. Chenrezig), or a being referred to as a bodhisattva of compassion. The repetition of this or the mantra is intended to focus one’s attention on the aspect of Buddha, to separate oneself from thought, to attain liberation and enlightenment. In Tibetan Buddhism, each turn of a prayer wheel is equivalent to saying a mantra aloud. However, these devices are faster than human lips, and what's more, their use is believed to spread positive energy. To strengthen the power of sacred places, larger wheels were placed, for example, on the gates of Buddhist monasteries.

In the presented object, the mantra is surrounded from above and below by a decorative motif of lotus petals. Between the initial and final syllables, a chain with a weight in the form of a tiny brass Buddha figurine was attached to facilitate the rotation of the wheel. The metal elements are decorated with a scroll wheel and plant motif–made of developed volutes and rounded lines, between which there are circles filled with blue enamel. These patterns were made of nickel-plated, densely incised brass plate, thanks to which an effect similar to granulation was obtained. The sleeve-shaped handle is decorated with spirally wavy lines. Wrapped around a spike inside the handle is a folded roll of paper with black text in six rows, written in Tibetan script. It is most likely a quotation from a religious text, as evidenced by the page number of the text marked in the lower right corner – 2. Perhaps it is a fragment of a sutra, or a collection of teachings from Buddha or a later teacher.

Katarzyna Findlik-Gawron


Information about the object

Information about this object

Author / creator

unknown
unknown
unknown

Object type

sacred object, religious text

Technique

casting, repoussage, filigree, niklowanie, sculpture, incrustation

Material

brass, nickel, steel, bone, paper, email

Origin / acquisition method

purchase

Creation time / dating

1901 — 1950

Creation / finding place

powstanie: Tybet, kraina historyczna (Chiny); znalezienie: nieznane

Owner

The National Museum in Szczecin

Identification number

MNS/EP/1075/1-2

Location / status

object is not displayed now

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