Chiffonier

One piece of furniture, used in France since the mid-18th century, is the chiffonier. It is a small, narrow, high chest of drawers used for storing undergarments, small ornaments, women’s clothing accessories, fabrics, personal items, papers, and jewellery. Its name comes from the French chiffon meaning canvas, a small piece of cloth, a rag. The presented classicist chiffonier was made together with another identical piece of furniture (S.7791MŁ; S.7792MŁ). According to the previous owners, the two chests of drawers, purchased by the Castle Museum in 1960, came from the Petit Trianon palace in the gardens of Versailles, which was a favourite of Queen Marie Antoinette. The white marble plaques on the front of each drawer of the mahogany veneered piece of furniture are eye-catching. Two smaller circular plaques serve as the background for the bronze cast handles. The central oval ones form the background for medallions with portrait busts. The reliefs, imitating ancient cameos, were made and signed by the English firm of Wedgwood & Bentley, operating between 1769 and 1780, at the Etruria factory in the Stoke-on-Trent area of central England. Thanks to Josiah Wedgwood’s experiments, the production of stoneware coloured with metal oxides and not requiring glazing, known as jasper stoneware, began in the 1870s. These were products with a light-coloured mass forming the background for the white relief art. The author of the white and blue medallions mounted on the chiffonier is John Flaxman, a modeller working for Josiah Wedgwood between 1775 and 1787. The medallions depict, in left profile: the writer, poet and philosopher Bernard le Bovier de Fontenelle; the mathematician and philosopher Jean le Rond d’Alembert; the artist, scientist and inventor Leonardo da Vinci. The fourth medallion is almost a twin to the Fontenelle image and may be a repetition or similarly shaped portrait of another unidentified person. Teresa Bagińska-Żurawska https://orcid.org/0000-0002-9243-3967